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莫札特: 第9,18號鋼琴協奏曲
貝薩伊登豪 古鋼琴
戈爾茲 指揮
佛萊堡巴洛克管弦樂團
The origins of these concertos, performed here by Kristian Bezuidenhout, may each be traced to a woman. The so-called "Jeunehomme" Concerto, K. 271, a vehicle for rather unexpected musical daring, could instead take its nickname from the work's dedicatee: the piano virtuoso Louise Victoire Jenamy, daughter of Mozart's old friend, the dancer Noverre. As for K. 456, cast in a more traditional mould yet so elaborate and seductive, it was apparently composed for Maria Theresia von Paradis, a blind pianist acclaimed throughout Europe. Two works distinctly different in character, while somehow being aptly complementary…
Wolfgang Amadeus MOZART (1756-1791)
Piano Concerto No. 9 ""Jeunehomme"" K. 271
E-flat major / Mi bemol majeur / Es-Dur
1 I. Allegro" 10''33
2 II. Andantino 11''28
3 III. Rondeau. Presto 10''52
Piano Concerto No. 18 K. 456
B-flat major / Si bemol majeur / B-Dur
4 I. Allegro vivace" 12''04
5 II. Andante un poco sostenuto 9''46
6 "III. Allegro vivace
Cadenzas by Kristian Bezuidenhout 8''23
Kristian Bezuidenhout, fortepiano
Freiburger Barockorchester