巴哈, 李斯特, 魏多管風琴作品集(觸技與賦格/前奏曲與賦格)
趙在赫 法國巴黎瑪德琳管風琴
這張錄音專輯不只榮耀美麗與壯觀的管風琴樂器, 也是和塑造了其歷史的作品致敬. 從小就為管風琴著迷的韓國音樂家趙在赫(譯音)在此專輯中彈奏的巴黎瑪德蓮大教堂管風琴, 其一流的音色對作曲家和藝術家們仍然有強力的吸引力. 襯托這神秘樂器的是J.S.巴哈和他的作品, 從d小調促觸技曲BWV565到巴哈主題的幻想與賦格, 充滿在這張的節目中. 趙在赫設定他的彈奏方式是依照廣泛的認知, 明確的傳承下來的歷史與人物, 但也延伸向前的作品. 在不受音樂傳統的限制下, 他還選擇了一首他委任韓國作曲家Texu Kim所寫的作品Pahdo. 在這樣的觀點下, 音樂歷史是一個從根源出發, 永久持續的故事.
This recording does not only honor the beauty and the magnificence of the instrument, it is also, indeed, a tribute to the works that forged its history. Fascinated by the organ since he was a child, Jae-Hyuck Cho chose, for this album, the Great Organ of the Madeleine in Paris, whose superb timbre still exerts its magnetism and power over composers and artists. Right next to that mythical instrument stands Johann Sebastian Bach and his work, which, from the Toccata BWV 565 to Fantasy and Fugue on a BACH theme, imbues this program. Jae-Hyuck Cho sets his playing approach on a clear lineage that widely acknowledges the past and its figures, but also looks forward. Far from restricting to the limits of musical tradition, Cho offers Pahdo, a work that he commissioned to the Korean composer Texu Kim. With such a vision, musical history is an everlasting ongoing story that keeps grounding in its roots.
1 Bach Toccata and Fugue in D minor, BWV 565 00:09:11
2 Widor Sicilienne from Bach's Memento no.5 00:02:52
3 Widor Toccata from Organ Symphony no.5, op.42 no.1 00:05:58
4 Liszt Fantasy and Fugue on the theme BACH, S 260/ii 00:11:58
5 Kim Pahdo 00:10:04