莫札特/布魯赫: 單簧管三重奏作品集
派翠克.梅西拿 單簧管
麗茲.貝赫圖 中提琴
法布里吉歐.裘維塔 鋼琴
Mozart may have been the first to compose, with the 'Kegelstatt' Trio for clarinet, viola and piano – an atypical association at the time, conceived for his friend Stadler, Franziska von Jacquin, his most assiduous pupil, and himself – but he was soon emulated by Schumann, Reinecke, Hurlstone… and Max Bruch, who composed his 'Eight Pieces' op. 83 in 1910 for his son. In a kaleidoscope of styles, he conjures up rhapsodies, Romanian music, Brahms and Mendelssohn, imbuing his miniatures with an intense, passionate lyricism. Patrick Messina, Lise Berthaud and Fabrizio Chiovetta bring these two works together in this recording, which is served by their undeniable complicity and remarkable accuracy of expression.
Max Bruch (1838-1920)
8 Pieces for Clarinet, Viola and Piano op. 83
1. I. Andante 3'27
2. II. Allegro con moto 2'13
3. III. Andante con moto 6'14
4. IV. Allegro agitato 3'18
5. V. Rumanische melodie. Andante 4'35
6. VI. Nachtgesang. Andante con moto 5'04
7. VII. Allegro vivace, ma non troppo 3'14
8. VIII. Moderato 4'56
Wolfgang Amadeus Mozart (1756-1791)
Trio in E flat major 'Kegelstatt' K.498
9. I. Andante 5'10
10. II. Menuetto 4'49
11. III. Rondeaux 8'01