商品簡介
李斯特: 浮士德交響曲/梅菲斯特圓舞曲
艾拉姆.赫南德茲 男高音
基理爾.卡拉畢茲 指揮
威瑪國家管弦樂團
德國國家威瑪歌劇院合唱團
圖林根州青年合唱團
When Franz Liszt took over the court orchestra in Weimar in 1848, the memory of Goethe, who had previously directed the court theatre, was still venerated. Liszt was therefore Goethe's direct heir at Weimar - albeit as a musician. With his Faust Symphony, which was premiered on the same day as the inauguration of the Goethe and Schiller monument in front of the theatre, psychology made its way into music; Liszt's ambition was the "renewal of music through its more intimate connection with poetry". His Faust Symphony demonstrates the power of sound, of tone painting, to evoke a fantastical, epic and psychological world.
Each movement corresponds to a character whose traits and psychology it depicts. This is programme music, but it does not tell a story and is certainly not descriptive music. Liszt characterised musically the profound nature of each character, offering a subtle and analytical interpretation of the story of Faust as told by Goethe. The three character pictures are psychological tableaux set to music. Liszt does not simply tell the story of the characters or describe their feelings: he evokes their psyches.
Kirill Karabits conducts the Staatskapelle Weimar in this repertoire which is especially close to the ensemble.
FRANZ LISZT
Eine Faust-Symphonie
in drei Charakterbildern S 108 67:36
1 I. Faust 27:40
2 II. Gretchen 18:00
3 III. Mephistopheles 16:18
4 IIIa. Chorus mysticus* 5:38
5 Mephisto-Walzer Nr. 3 S 216 10:15