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舒伯特:藝術歌曲/奏鳴曲/鋼琴三重奏(小提琴/豎琴改編集)
柯西亞 小提琴
安雅.林德 豎琴
The three friends meet for the sublime slow movement of the second Trio, well known from its use in the cinema (notably Stanley Kubrick's Barry Lindon) and adapted for harp, violin and cello by
Anja Linder. A combination particularly cherished by the musician, it is a reminder that the harp was once a key instrument in the practice of chamber music: until the dawn of the nineteenth
century, its repertoire could be assimilated to that of the piano and the harpsichord.
Preceding the Trio, two Lieder frame the Arpeggione Sonata arranged for cello and harp. Here, the harp takes over the piano part while the violin is a spontaneous substitute for the voice. A
particularly lyrical piece, written by the Viennese composer in November 1824 for an instrument that has since disappeared, a sort of cello -guitar, or 'gamba' guitar, and which cellists have
adopted by transposing the score. In the new arrangement devised by the harpist, the Arpeggione Sonata rediscovers here the sound of secretive, dreamy confidence characteristic of the original
configuration. A very touching musical moment, in which the elegance of the harp played by Anja Linder provides an ideal counterpoint to the airy, almost spiky sound of Julie Sevilla - Fraysse's
cello.
Franz Schubert 1797-1828
1.Lied der Mignon III
No. 4, from: 4 Gesange aus "Wilhelm Meister", D. 877
version with harp and violin
Sonata for arpeggione and keyboard in a minor, D. 821
2.I. Allegro moderato
3.II. Adagio
4.III. Allegretto
adaptation for cello and harp
5.Nachtstuck, D. 672
version with harp and violin
6.Trio for violon, cello and keyboard No. 2 in e
-flat major, D. 929
II. Andante con moto
adaptation for violon, cello and harp
Anja Linder HARPE
Julie Sevilla
-Fraysse CELLO
Laurent Korcia VIOLIN