聖母祈禱-17世紀義大利宗教歌曲集
修爾 假聲男高音
坦皮耶里 指揮
拜占庭學院樂團
For the first time with naive, the countertenor Andreas Scholl joins the Accademia Bizantina and Alessandro Tampieri to present a Neapolitan programme, centred on the Virgin Mary.
Andreas Scholl and the Accademia Bizantina have for several decades enjoyed a successful musical partnership, encompassing the whole Baroque repertoire. As usual, this new album together includes
both renowned and less well-known vocal and instrumental pieces. The figure of Mary, which has inspired a huge repertoire, both sacred and profane, runs through this Easter programme of exquisite
affliction, virtuosic for both voice and orchestra. “Neapolitan music has a unique melodic vein and a great capacity to communicate emotion profoundly,” says Alessandro Tampieri.
nicola porpora 1686-1768
il trionfo della divina giustizia ne’ tormente e morte di gesu cristo 1716
1 Ouverture 3’28
2 “Occhi mesti” | Maria, aria 6’53
3 “Per pieta, turba feroce” | Maria, recitativo accompagnato ed aria 4’15
leonardo vinci 1690-1730
oratorio maria dolorata 1725
4 Sinfonia 4’28
leonardo vinci
oratorio a 4 voci
5 “Chi mi priega” | Maria, aria 8’15
6 “Tutti son del materno mio seno” | Maria, aria 5’23
pasquale anfossi 1727-97
salve regina 1779
7 Salve Regina 1’51
8 Ad te clamamus 1’58
9 Ad te suspiramus 2’37
10 Eja ergo advocata nostra 2’38
11 Et Jesu benedictum 1’22
12 O clemens 1’36
giovanni battista pergolesi 1710-36
concerto per violino in si bemolle maggiore
alessandro tampieri solo violin
13 Allegro 4’42
14 Largo 3’37
15 Allegro 4’12
antonio vivaldi 1678-1741
stabat mater in fa minore rv 621
16 Stabat Mater dolorosa 2’50
17 Cuius animam gementem 1’56
18 O quam tristis 1’40
19 Qui est homo 2’51
20 Qui non posset contristari 2’09
21 Pro peccatis sua gentis 1’39
22 Eia Mater, fons amoris 2’54
23 Fac ut ardeat 1’27
24 Amen 1’02
angelo ragazzi 1680-1750
sonata IV in do minore “imitatio in salve regina mater misericordia”
25 Andante 2’14
26 Adagio 3’14
27 Allegro 1’08