歷史遺物 海頓/莫札特/波普拉:大提琴協奏曲集
克利斯汀-皮耶.拉馬爾卡 大提琴
亞德利安·拉馬爾卡 中提琴
菲利普.賈洛斯基 假聲男高音
朱利安.修方 指揮/小提琴
旅館音樂會合奏團
The cellist Christian-Pierre La Marca always has something to surprise us with: hybrid programmes mixing genres and pushing toward musical frontiers, guests who add to an already rich repertoire, and a keen, passionate vision of both music and the world. The title and the composers of his new album may appear "classical", but his recording, effectively rooted in eighteenthcentury Vienna, nevertheless once again broadens the horizons and encourages us to see things differently.
"I wanted this programme to introduce new ways of listening to Haydn's concertos," he explains.
"Legacy focuses on passing down rather than inheriting – the benevolence of one generationvfor the next, encounters between musicians who are also enablers, the progression of the instrument in the music."
Haydn 1732-1809
cello concerto no.1 in c major hob.viib:1 1762-65?
cadenza: christian-pierre la marca
1 Moderato 10''23
2 Andante 7''35
3 Allegro molto 6''35
Nicola Porpora 1686-1758
4 largo, from Cello Concerto in G major 3''23
Mozart 1756-91
5 sinfonia concertante in a major 9''34
for violin, viola and cello k320e anh 104 (fragment) 1779
robert levin completion/reconstruction | with julien chauvin violin, adrien la marca viola
Christoph Willibald gluck 1714-87
6 danse des ombres heureuses, from Orphee et Eurydice 1762 3''10
christian-pierre la marca transcription
Nicola Porpora
7 ‘giusto amor tu che m''accendi'', from Gli orti esperidi 1721 6''52
with philippe jaroussky countertenor
Haydn
cello concerto no.2 in d major hob.viib:2 1783
cadenza: maurice gendron
8 Allegro moderato 14''39
9 Andante 5''01
10 Allegro 4''43