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世界另一端的音樂、舞蹈 - 玻利維亞、秘魯、摩拉維亞早期音樂。
塞梅拉多娃 藝術指導
瑪麗安學院合奏團
Recorded at the evangelical church in Vrbove, Slovakia, 4–5 September 2021
We have the concept of globalization associated with the 20th century, but without much exaggeration we can apply it to the Jesuit missions in South America in the 17th and 18th centuries. The Jesuits were aware of the power of music, which profoundly touches the human heart. The European music they brought across the ocean was in no time embraced by the indigenous peoples in Bolivia and Peru. And thus works by the Czech composer Josef Brentner, the Italian Jesuit Domenico Zipoli or the Swissmissionary Martin Schmid were soon performed in the settlements in the middle of the jungle and in the mountains. European music blended with the traditional local music, just as the Quechua language blended with Spanish. Through music and singing they praised God and prayed to the Virgin Mary, as we can hear in the Quechua procession hymn Hanaq pachap cussicuinin or Zipoli's Zuipaqui. However, similarly vivid instrumental music, songs and dances were enjoyed in Moravia, in the very heart of Europe. And again the globalisation in music: many a folk song and dance was imbued with elements of "high culture", and vice versa, G. P. Telemann did not hide enthusiasm and direct inspiration from Silesian and Hana folk music in his work. And songs worshipping the Mother of God were sung in spectacular churches, village chapels and fields alike. Yet whether European music was performed in the jungle or Hana melodies in Hamburg, the common denominator was enthusiastic musicians who knew no greater delight than getting together and playing. Just like Collegium Marianum on this recording. Let us rejoice together!
CACHUA SERRANITA
Music, Dance and Our Lady on the Far Side of the World
1. Hanaq pachap cussicuinin 4:30
processional hymn to the Virgin Mary, lyrics by Juan Perez de Bocanegra, Ritual formulario, 1631
KRISTIAN GOTTFRIED HIRSCHMENTZEL (1638–1703)
2. Moravica and Bohemicus saltus 2:18
Orpheus pro rusticis, 1698
3. Sla panenka smutne 1:49
folk song from the Collection of Hanakian dances for clavichord ca 1700
ANONYMOUS . JAN ANTONIN LOSY Z LOSINTHALU? (CA 1650–1721)
4. Aria Hannaco 1:03
GEORG PHILIPP TELEMANN (1681–1767)
5. Hanaquoise 2:06
from Suite in D major TWV 55:D3
JAN JOSEF IGNAC BRENTNER (1689–1742)
Concerto da camera in D minor . d moll, Brk 92 4:21
6. I. Allegro staccato 2:10
7. II. Largo 1:03
8. III. Menuet 1:07
ANONYMOUS . DOMENICO ZIPOLI? (1688–1726)
9. Zuipaqui . Ad Mariam 4:12
JAN JOSEF IGNAC BRENTNER
10. Bourree & Capriccio 2:11
from Concerto in G minor . z koncertu g moll, Brk 96
Horae pomeridianae, Op. 4. I, 1720
11. Vyletela holubenka ze skaly 1:38
folk song from the collection
Karel Jaromir Erben – Prostonarodni ceske pisne a rikadla (1864)
MARTIN SCHMID (1694–1772)
Pastoreta Ychepe Flauta 6:40
12. – 1:11
13. Allegro 2:17
14. Adagio 1:43
15. Allegro 1:27
16. Taye jueves Santo 3:30
Santa Cruz de la Sierra, manuscript from 18th century
GEORG PHILIPP TELEMANN
17. Hanasky 2:45
from Suite in E major, TWV 55:E1
18. Three Peruvian Folk Songs 4:07
19. Na Svatem Kopecku 3:43
20. Kdyz jsem ja sel na Svaty Kopecek 1:59
folk songs from the collection
Frantisek Susil – Moravske narodni pisne (1860)
21. Cachua Serranita 3:16
Codex Martinez Companon, Trujillo, Peru (ca 1782-85)