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貝多芬:晚期鋼琴奏鳴曲第30號,作品109/第31號,作品110/第31號,作品111
尼可萊.魯岡斯基 鋼琴
法國政治家艾瑞歐特(Eouard Herriot)曾經說過:"貝多芬的所有作品是來自內心, 他的模式不是教學式規矩的". 這點在他最後的奏鳴曲作品尤其是如此, 包含了私人的日誌(法國作家羅曼羅蘭Romain Rolland在作品101中看到貝多芬內心世界的一日)與在達到神秘寧靜最後的奏鳴曲作品111號之前的純粹實驗品(作品109變奏曲). 此專輯是尼可萊.魯岡斯基呈現大家期盼已久的貝多芬鋼琴作品巔峰的願景.
Édouard Herriot once said: 'In Beethoven, everything comes from within. His model is not the rule of the schoolroom.' This is particularly true of the late sonatas, which contain elements of both
intimate journal (Romain Rolland saw in op.101 'a day in the inner life' of Beethoven) and total experimentation (the variations of op.109!) before attaining the mystical serenity of the very last
sonata, op.111. Here is Nikolai Lugansky's long-awaited vision of this pianistic Everest.
1 Piano Sonata No. 28 in A Major, Op. 101 I. Etwas lebhaft und mit der innigsten Empfindung. Allegretto ma non troppo 04:06
2 Piano Sonata No. 28 in A Major, Op. 101 II. Lebhaft. Marschmaßig. Vivace alla marcia 06:23
3 Piano Sonata No. 28 in A Major, Op. 101 III. Langsam und sehnsuchtsvoll. Adagio, ma non troppo, con affetto 03:25
4 Piano Sonata No. 28 in A Major, Op. 101 IV. Geschwind, doch nicht zu sehr und mit Entschlossenheit. Allegro 07:29
5 Piano Sonata No. 30 in E Major, Op. 109 I. Vivace ma non troppo, sempre legato - Adagio espressivo 03:56
6 Piano Sonata No. 30 in E Major, Op. 109 II. Prestissimo 02:29
7 Piano Sonata No. 30 in E Major, Op. 109 III. Gesangvoll, mit innigster Empfindung. Thema : Andante molto cantabile ed espressivo - Var.I : Molto espressivo - Var.II : Leggiermente -
Var.III : Allegro vivace - Var.IV : Etwas langsamer als das Thema - Var.V : Allegro, ma non troppo - Var.VI : Tempo I del tema/cantabile 14:05
8 Piano Sonata No. 32 in C Minor, Op. 111 I. Maestoso - Allegro con brio ed appassionato 09:19
9 Piano Sonata No. 32 in C Minor, Op. 111 II. Arietta. Adagio molto semplice cantabile - Var.I : sempre ligato - Var.II : L'istesso tempo - Var.III : L'istesso tempo - Var. IV -
Var. V - Coda 17:57