佳佳唱片

迪夫利: 第一冊組曲1/ 第二冊/第三冊
佛科雷:組曲1/組曲3
尤蓮.庫夏 大鍵琴

Violaine Cochard approaches her favourite repertoire with all the virtuosity and poetic sensitivity we know. The French harpsichord school shone throughout Europe during the 18th century. After the chiaroscuro of Couperin, in the wake of the great Rameau, a whole generation of musicians made the instrument sound with dazzling opulence, injecting into their scores the advances of opera, while preserving the expressive refinement of their elders.

Jacques DUPHLY (1715 – 1789)
1 Allemande en re mineur (Premier Livre, 1744) – 4'27
2 Courante en re mineur (Premier Livre, 1744) – 2'07
Antoine FORQUERAY (1671 – 1745)1
3 La Cottin (Suite n° 1, 1747) – 1'56
Jacques DUPHLY (1715 – 1789)
4 La Vanlo (Premier Livre, 1744) – 2'53
 5 Rondeau tendre en re mineur (Premier Livre, 1744) – 2'32
Antoine FORQUERAY (1671 – 1745)1
6 La Portugaise (Suite n° 1, 1747) – 2'43
Jacques DUPHLY (1715 – 1789)
7 Les Grâces (Troisieme Livre, 1756) – 5'10
Jean-Baptiste-Antoine FORQUERAY (1699 – 1782)
8 La Angrave (Suite n° 3, 1747) – 2'43
Joseph Nicolas Pancrace ROYER (1705 – 1755)
9 L'Aimable (Premier Livre, 1746) – 4'43
10 La Marche des Scythes (Premier Livre, 1746) – 6'25
Claude-Benigne BALBASTRE (1727 – 1799)
11 La d'Hericourt (Premier Livre, 1759) – 3'28
Jacques DUPHLY (1715 – 1789)
12 La Boucon, courante (Premier Livre, 1744) – 2'41
13 Chaconne (Troisieme Livre, 1756) – 6'49
14 La Forqueray, rondeau (Troisieme Livre, 1756) – 5'31
15 Medee (Troisieme Livre, 1756) – 3'58
Jean-François DANDRIEU (1682 – 1738)
16 La Lyre d'Orphee (Deuxieme Livre, 1728) – 3'52