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大提琴無窮盡(高大宜/普羅高菲夫/亨德密特)
丹尼爾・穆勒-修特 大提琴獨奏
Daniel Muller-Schott (cello)
After J. S. Bach's solo cello suites in the early 18th century, the genre experienced a fallow period until Zoltan Kodaly set the pace with a monumental sonata for solo cello in 1915. It inspired a variety of similar works, but Kodaly's 30-minute sonata still stands "like Mount Everest", to quote Daniel Muller-Schott, the soloist on this recording. His programme also includes music by Prokofiev, Hindemith, Henze, Crumb and Casals, and features a work of his own for the first time: Cadenza continues the tradition of compositions that other cellists have always added to their recital programmes. "Here, you can recognise influences of the solo works that have influenced me over the years. In Cadenza, the contrasting elements of the world of my instrument appear in the closest space – the cello in pure lyricism, just as sequences catapulting themselves into the highest registers in rhythmical savagery and immediately concluding the movement after a final culmination." (Daniel Muller-Schott)
Zoltan Kodaly (1882-1967)
Sonata for Solo Cello, Op. 8 (1915)
1 I. Allegro maestoso ma appassionato 9:30
2 II. Adagio (con grand espressione) 10:46
3 III. Allegro molto vivace 11:58
Sergey Prokofiev (1891-1953)
4 Sonata for Solo Cello in C sharp minor, Op. 134 (1953) 7:10
Paul Hindemith (1895-1963)
Sonata for Solo Cello, Op. 25, No. 3 (1922)
5 I. Lebhaft, sehr markiert (mit festen Bogenstrichen) 1:48
6 II. Massig schnell, gemachlich (durchweg sehr leise) 1:28
7 III. Langsam 3:55
8 IV. Lebhafte Viertel (ohne jeden Ausdruck und stets pianissimo) 0:37
9 V. Massig schnell (sehr scharf markierte Viertel) 2:16
Hans Werner Henze (1926-2012)
Serenade (1949)
10 I. Adagio rubato 0:39
11 II. Un poco allegretto 0:57
12 III. Pastorale 0:38
13 IV. Andante con moto, rubato 0:31
14 V. Vivace 0:35
15 VI. Tango 0:51
16 VII. Allegro marciale 0:44
17 VIII. Allegretto 0:48
18 IX. Menuett 0:59