商品簡介
跨世紀大提琴音樂(橢圓)
安娜塔西亞.科蓓基娜 大提琴
提波.高凡 吉他
文森.波卡多侯 鋼琴
艾曼紐.阿哈克利安 大鍵琴
Anastasia Kobekina suggests the history of the cello through ellipses, jumps in time between pieces from the 18th century, among the very first written for this instrument alone (Boccherini, Fesch, Galliard), and others from our time (Thierry Escaich, Jules Matton) which draw their writing processes and their sound palettes from the ancient repertoire. Whether it is a question of nostalgia, sometimes ironic, of homage or of intellectual and artistic transmission between composers, the compositions for cello are never born ex nihilo. By returning to the sources of the Baroque era, composers write the present and the future of the cello. Anastasia Kobekina blurs the boundaries by building indescribable bridges between their so diverse writings.
1. Giovanni Sollima (1962- ) d''apres Luigi Boccherini (1743-1805)
Fandango pour violoncelle solo 4''51
2. Claude Debussy (1862-1918)
Sonate pour violoncelle et piano 11''39
3. Heitor Villa-Lobos (1887-1959)
Bachianas Brasileiras n°5 – Aria, transcription pour violoncelle et guitare 5''11
4. Willem de Fesch (1687-1761)
Sicilienne pour violoncelle baroque et clavecin 1''30
5. Gabriel Faure (1845-1924) :
Sicilienne opus 78 pour violoncelle et piano 3''41
6. Maria Theresia von Paradis (1759-1824)1
Sicilienne, transcription pour violoncelle et piano 2''51
7. Johann Ernst Galliard (1687-1747)
Sicilienne pour violoncelle baroque et clavecin 1''28
8. Marin Marais (1656-1728)
Les Folies d''Espagne, transcription pour violoncelle baroque et clavecin de Serban Nichifor 6''50
9. Thierry Escaich (1965- )
La Follia pour violoncelle solo 5''40
10. Jules Matton (1988- )
Detail pour violoncelle baroque et clavecin (creation mondiale) 3''40
11. Vladimir Kobekin (1947- )
Gallardo pour violoncelle et tambourin 2''44