莫札特: 幻想曲作品集

伊斯梅爾.馬貢 鋼琴

在一場豪華盛大的收集蕭邦和佛瑞即興曲的獨奏會之後(V7860), 鋼琴家伊斯梅爾.馬貢繼續他在這種小形式領域的探索, 這次是在迴旋曲與幻想曲.

在這次既有詩意又有創新的新旅程中, 他回到他最愛的作曲家之一: 莫札特, 並以非常精緻改良的演奏讚頌他無止盡與獨特的音樂力量.

除了不斷更新的創意旋律之外, 在這張專輯中的作品形成一個非常有趣的莫札特式風格的萬花筒. 如果說有強烈特徵的迴旋曲顯露出相當均衡的氣氛, 那麼幻想曲, 尤其是K397和K475, 則是一個提供不斷變換情緒與氣氛的萬花筒, 賦予它們一個絕對是戲劇性的音調. 在這些類似於即興曲的作品中, 許多角色栩栩如生. 歌劇和舞台到處衝滿著這些音樂語言的交流.

After a sumptuous recital which brought together impromptus by Frederic Chopin and Gabriel Faure (Impromptus, naive, V7860), the pianist Ismael Margain continues his musical explorations in the realm of the small form, this time the rondo and the fantasy.

And for this new journey, as poetic as it is inventive, he returns to one of his favourite composers: Mozart, whose inexhaustible and singular power he glorifies with the immense refinement of his playing.

Beyond the constantly renewed melodic inventiveness, all the works on this album form a fascinating kaleidoscope of Mozartian moods. If the Rondos, strongly characterised, reveal relatively homogeneous atmospheres, the Fantasias, notably K. 397 and K. 475, offer a kaleidoscope of ever-shifting moods and atmospheres, conferring them a definitely theatrical tone. In these quasi-improvisations, many characters come to life. The opera, the stage, permeate the discourse everywhere.

Wolfgang Amadeus Mozart 1756-1791

1 Fantasia in C minor, K. 396/385f

Adagio

2 Rondo in A minor, K. 511

Andante

3 Rondo in F major, K. 494

Allegretto

4 Fantasia ("Fragment") in D minor, K. 397/385g

Andante – Adagio – Presto – Tempo primo – Allegretto – a tempo

5 Rondo in D major, K. 485

Allegro

6 Fantasia in C minor, K. 475

Adagio – Allegro – Andantino – Più allegro – Primo tempo

7 Adagio in B minor, K. 540

Adagio