巴爾托克:交響協奏曲 - 給弦樂、打擊樂與鋼片琴的音樂
蘇珊娜．馬爾契 指揮
赫爾辛基愛樂樂團

On two highly praised discs, Susanna Malkki and her players in the Helsinki Philharmonic Orchestra have released recordings of Bela Bartok's three scores for the stage – The Miraculous Mandarin, The Wooden Prince and Bluebeard's Castle, all written before 1918. The team now takes on two of his late orchestral masterpieces. Composed in 1936 for the Basel Chamber Orchestra, Music for Strings, Percussion and Celesta is one of the purest examples of Bartok's mature style, with its synthesis of folk music, classicism and modernism. One immediately striking feature is the unusual instrumentation: two string orchestras seated on opposite sides of the stage, with percussion and keyboard instruments in the middle and towards the back.

In 1940, during the Second World War, Bartok emigrated to the U.S.A., where he initially found it difficult to compose. In 1943 he received a prestigious commission from the Boston Symphony Orchestra, however, and in less than eight weeks he composed the Concerto for Orchestra. In it he worked with contrasts between different sections of the orchestra, and the soloistic treatment of these groupings was his reason for calling the work a concerto rather than a symphony. 

Bela Bartok (1881—1945)
Music for Strings, Percussion and Celesta (1936) 29'59
1 ) I. Andante tranquillo 7'47
2 ) II. Allegro 7'28
3 ) III. Adagio 7'26
4 ) IV. Allegro molto 7'05
Concerto for Orchestra (1943) 38'20
5 ) I. Introduzione. Andante non troppo — Allegro vivace 9'44
6 ) II. Giuoco delle coppie. Allegro scherzando 6'32
7 ) III. Elegia. Andante non troppo 7'27
8 ) IV. Intermezzo interrotto. Allegretto 4'21
9 ) V. Finale. Presto 9'52
TT: 69'09
Helsinki Philharmonic Orchestra
Susanna Malkki conductor