黑色李斯特(李斯特鋼琴獨奏曲--愛之夢/憂鬱波蘭舞曲/ 第二號敘事曲/船歌)
紀堯姆·文森 鋼琴

Having devoted his first recording to the Preludes of Rachmaninov,
pianist Guillaume Vincent has returned to the sources – the roots of
the modern piano style, and his own roots as well. In the early decades of the 19th century Liszt broke
free of the polyphonic approach inherited from the keyboard masters
of the previous century, inaugurating the broken lines, suspensions oftime and poetic harmonies of the
piano as we know it today. Guillaume Vincent has chosen morerarely heard works from his prolific
output, written shortly after the eath in 1849 of Chopin, with whom Liszt had shared a deep
friendship and mutual admiration. The chiaroscuro pieces inspiring this programme can be seen as a
homage of the poetic imagination made by one pianist composer to another. 

franz liszt 1811-86
1 mazurka brillante, s.221 1850 4'34
2 polonaise melancolique no.1 in c minor, s.223/1 1851 13'09
liebesträume (3 nocturnes), s.541 1850
3 hohe liebe, in a flat major 6'37
4 seliger tod, in e flat major 3'24
5 oh lieb, so lang du lieben kannst, in a flat major (liebesträume) 4'47
6 polonaise no.2 in e major, s.223/2 1851 9'08
7 ballade no.1 in d flat major, s.170 1845-49 7'25
8 berceuse in d flat major, s.174 1854; 2nd version 1862 9'35
9 ballade no.2 in b minor, s.171 1853 14'18