貝多芬: 第二,五號鋼琴協奏曲
貝薩伊登豪 古鋼琴
艾拉斯-卡薩多 指揮
佛萊堡巴洛克管弦樂團

貝多芬的五首鋼琴協奏曲在某種意義上反映出作曲家的生活: 一位來自波昂的年輕音樂家在二十多年間將他寫的第一號協奏曲改寫了數個版本(後來成為在他在維也納事業成功的跳板, 並命名為第二號), 一直到成為大家熟悉的(皇帝)音樂具體化在卓越靈感的第五號協奏曲中。 在他誕生兩百五十年之後, 鋼琴家貝薩伊登豪, 指揮艾拉斯-卡薩多和佛萊堡巴洛克管弦樂團選擇這兩首非常不同的作品作為古樂器版貝多芬協奏曲三部曲的開頭並且有機會成為一個新里程碑. 

Beethoven's five piano concertos relate, in a sense, part of the composer’s life: some twenty years during which a young musician from Bonn made several revised versions of the first concerto he wrote (a springboard to Viennese success that ended up being called no.2), before becoming the familiar ‘Emperor’ of music embodied by the brilliant inspiration of no.5. Two hundred and fifty years after his birth, it is with these two extremes that Kristian Bezuidenhout, Pablo Heras-Casado and the Freiburger Barockorchester have chosen to start an exciting period-instrument trilogy of the concertos that bids fair to be a landmark!

Kristian Bezuidenhout (fortepiano), Freiburger Barockorchester, Pablo Heras-Casado

Piano Concerto No. 5, Op. 73, 'Emperor'
E-Flat Major / Mi bemol majeur / Es-Dur

1I. Allegro 19'40
2II. Adagio un poco mosso 6'34
3III. Rondo. Allegro 10'12
Piano Concerto No. 2, Op. 19
B-Flat Major / Si bemol majeur / B-Dur

4I. Allegro con brio 13'38
5II. Adagio 7'33
6III. Rondo. Molto allegro 5'47