莫札特: 小提琴奏鳴曲第二集
伊莎貝兒．佛絲特 小提琴
亞歷山大．梅尼可夫 古鋼琴

伊莎貝兒．佛斯特和亞歷山大．梅尼可夫使用古樂器演奏讓這些'給鍵盤樂器加小提琴伴奏的奏鳴曲'注入新的生命, 這些作品是莫札特從內部更新了舊傳統, 替後來的貝多芬, 舒伯特和舒曼開創了一條新的途徑. 第一集(HMM902360)廣受好評, 英國留聲機雜誌："佛斯特的小提琴和梅尼可夫大鍵琴樂器以非常近似的音色在寬廣空間精彩的演奏形成一種類似小鈴鐺的叮噹聲音, 非常悅耳".　The Strad英國古典樂期刊："在一個有許多各具技巧與個人風格小提琴名家的世界, 很罕見的一位是眾人一致同意的優秀音樂家—那就是伊莎貝兒．佛斯特.".

It was when the young Haydn was appointed Kapellmeister to Prince Nikolaus Esterházy that he composed his Missa Cellensis, a work of vast proportions, whose popularity is demonstrated by the many surviving copies. In this interpretation full of vivid contrasts, the RIAS Kammerchor and the Akademie fur Alte Musik confirm their extraordinary ability to reveal every subtlety of a composition that possesses almost operatic energy!

Isabelle Faust (violin), Alexander Melnikov (fortepiano)

1 I. Kyrie eleison I  03:09
2 II. Christe eleison  03:04
3 III. Kyrie eleison II  03:03
4 IV. Gloria in excelsis Deo  02:59
5 V. Laudamus te  03:43
6 VI. Gratias agimus tibi  02:54
7 VII. Domine Deus  05:35
8 VIII. Qui tollis peccata mundi  05:34
9 IX. Quoniam tu solus Sanctus  03:10
10 X. Cum Sancto Spiritu  03:49
11 XI. Credo in unum Deum  03:55
12 XII. Et incarnatus est  08:25
13 XIII.Et resurrexit  04:48
14 XIV. Sanctus  01:26
15 XV. Benedictus  05:24
16 XVI. Agnus Dei  02:16
17 XVII. Dona nobis pacem  02:19