薩卡利．歐拉莫 指揮 波士頓交響樂團/檀格塢節慶男聲合唱團
Recorded live at Symphony Hall, Boston, MA, March 10-11, 2017
Kirill Gerstein (piano)
Boston Symphony Orchestra
Men of the Tanglewood Festival Chorus
Once a towering inspirational figure in the musical life of Berlin, later a crucial influence on musicians as diverse as Sibelius, Varèse, Schoenberg and Weill, Ferruccio Busoni is now being rediscovered by a new generation of performers and listeners.
Kurt Weill wrote: “Ferruccio Busoni has been called the last Renaissance man. It is strange enough that such a phenomenon appeared in our time. We are bound to think of Leonardo. In him also we find that comprehensive spirituality which strives to open up all attainable spheres. Such individuals are immortal not only through their work but through the radiation of their personality, through the gradual influence of their humanity.”
Busoni’s sui generis five-movement Piano Concerto is a work that bears comparison to Liszt’s Faust Symphony and Mahler’s Eighth. This revelatory new recording by pianist Kirill Gerstein with the Boston Symphony Orchestra and the men of the Tanglewood Festival Chorus conducted by Sakari Oramo is a landmark in the wider acclamation of a singular genius who mapped a sublime 20th century alternative to the modernist revolt of Stravinsky and Schoenberg.
The album includes a deluxe 88 page booklet containing rarely published photographs and documents from the Busoni archive at the Staatsbibliothek Berlin. In-depth English and German essays by renowned Busoni scholars Albrecht Riethmüller and Larry Sitsky discuss Busoni’s creativity and the piano concerto.
1 I. Prologo e Introito: Allegro, dolce e solenne 15:24
2 II. Pezzo giocoso: Vivacemente, ma senza fretta 9:13
3 III. Pezzo serioso 22:59
Introductio. Andante sostenuto
Prima pars. Andante, quasi adagio
Altera pars. Sommessamente
Ultima pars. a tempo
4 IV. All‘Italiana, Tarantella: Vivace, in un tempo 12:01
5 V. Cantico: Largamente 11:48
|1.||Concerto for Piano with Orchestra and Male Chorus, Op. 39