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大約1720年的倫敦(柯瑞里的遺產)
巴貝爾/傑米尼亞尼/韓德爾:室內樂作品集
夢想家樂團
誰能夠想像到在十八世紀初期英國倫敦曾經是義大利歌劇的首都? 在1720年見證了對音樂狂熱的需求導致許多外國名音樂家搬到這座城市. 熱愛音樂會的倫敦人珍愛大師柯瑞里最後的奏鳴曲風格: 第一場直笛和和長笛的音樂會, 和年輕新人韓德爾的作品.... 讓我們來欣賞夢想家團的音樂家在harmonia mundi旗下錄製的第一張專輯所帶來的這個生動的場景.
Who could have imagined that London would become the capital of Italian opera in the early eighteenth century? The 1720s witnessed a feverish demand for music that led many foreign virtuosos to move to the city. Concert-loving Londoners relished the last sonatas in the style of the old master Corelli, the first recorder and flute concertos, and the works of the youthful newcomer Handel . . . Let us admire this lively scene with the musicians of La Reveuse, in their first recording for harmonia mundi!
WILLIAM BABELL (c. 1690-1723)
Concerto II op. 3 for sixth flute
| Adagio - Allegro 2'11
2 Adagio 3'02
3 Allegro 3'13
FRANCESCO GEMINIANI (1687-1762)
Sonata IV op. 1, H. 4
4 Adagio 1'47
5 Allegro 2'30
6 Grave 1'07
7 Allegro 1'41
ARCANGELO CORELLI (1653-1713) arranged by JOHANN CHRISTIAN SCHICKHARDT (c. 1681-1762)
Sonata IV op. 6 after / d'apres les Concerti grossi nos. 1 & 2 op. 6
8 Largo - Allegro - Adagio - Allegro - Adagio - Allegro - Adagio 2'28
9 Allegro 1'52
10 Grave - Andante Largo 2'05
11 Allegro 2'11
GEORGE FRIDERIC HANDEL (1685-1759)
Concerto a quattro
12 Adagio 2'13
13 Allegro 1'41
14 Largo 1'36
15 Allegro 2'03
JOHANN CHRISTIAN SCHICKHARDT
Concerto II op. 19
16 Allegro 2'13
17 Adagio 4'02
18 Vivace 1'39
19 Allegro 1'59
GEORGE FRIDERIC HANDEL
Sonata per la viola da gamba HWV 364b
20 Andante larghetto 2'04
21 Allegro 1'58
22 Adagio 0'47
23 Allegro 2'19
24 Spera si mio caro bene 7'15
25 NICOLA FRANCESCO HAYM (1678-1729) arr. PIETRO CHABOUD (fl. 1707-25)
Thus with thirst my souls expiring 5'00