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誰的天堂般觸摸 (約翰·道蘭歌曲選)
瑪莉安娜・弗洛勒斯 女高音
霍普金森．史密斯 魯特琴
Mariana Flores (soprano)
Hopkinson Smith (lute)
This recording devoted to Dowland seems to open a door onto a secret garden, one tend-ed and cultivated by two art-ists already well known for opera and song recitals that distill the chamber music prin-ciple into its most intimate es-sence of expressive sound: so-prano Mariana Flores, and lu-tenist Hopkinson Smith. Here they give us a Dowland pro-gramme straight from the heart, drawing on five of the composer's volumes of ‘Songs or Ayres' printed in London be-tween 1597 and 1612, laying bare Dowland's ecstatic and tortured soul as it oscillates between all the different states of melancholy love.
john dowland 1563-1626
‘whose heavenly touch'
flow, my tears 4'12
2 come away, come sweet love 2'19
3 o sweet woods 4'48
4 I saw my lady weep 4'59
5 can she excuse my wrongs 2'27
6 all ye, whom love of fortune hath betray'd 4'10
7 mignarda (instrumental) 3'01
8 fine knacks for ladies 2'22
9 now, o now, I needs must part 3'52
10 come, heavy sleep 3'57
11 in darkness let me dwell 3'47
12 if my complaints could passions move 2'46
13 wilt thou unkind thus reave me 3'00
14 go crystal tears (instrumental) 2'08
15 go crystal tears 2'56
16 come again! 2'39
17 sorrow, sorrow stay 3'13