納森奈爾.郭恩 鋼琴
A virtuosity of dread: like his contemporaries writers, painters and musicians, Liszt fascinated by the macabre and depicts the terrifying visions of horror and Hell by going beyond the traditional
use of the piano. In the Dance of the Dead, Thought of the Dead, Funeral and Mephisto-Walzer, his demonic virtuosity is at the service of a gothic and fantastic romantic imaginary. Summoning the
Day of wrath and the medieval frescoes where skeletons are heard dancing and death mowing heads, he never forgets to mention the hope of the Christian faith.